GONE!

Oh my gosh!!!!

Okay, I've let a lot of things slip this summer, especially photography.  To be honest, I don't think I have picked up my camera more than 5 times all summer, apart from a short vacation at the end of May.  I find that sad.

Yet on the other hand, I haven't been exactly dormant when it comes to art.  I've been exploring the other areas, as I mentioned in the previous post.  Painting, oil pastels, colored pencils mostly, along with some collage and mixed media.  Most of what I've done has been in art journals I have created from scratch after learning how from YouTube videos.  (Anything you want to learn you can probably find a YouTube video about it.)

But now that summer is officially gone, some other things are now gone as well.  First, I ended (temporarily maybe) my relationship with Fine Art America while I figure out what my next steps are going to be. I can always go back easily enough.

Secondly, I ended my relationship with Xanadu Gallery in Scottsdale, AZ.  Granted this was only an online relationship as far as displaying my photography and digital fusion photography.  My work was not on display within the storefront gallery.  I could still continue to show up to 10 works of any kind of art for free, but without selling anything there, it was getting to be too much on my wee budget to continue paying for unlimited art display and a website.  I gave them two years and that was quite enough.  To be honest, that was a total experiment on my part from the start.  Up until I had taken the email course to prepare for gallery showing, I had not even considered gallery shows.  I was looking in a totally different area.

Thirdly, my Facebook page for my photography is on temporary hiatus while I decide what my next course of action will be.

I did keep my domain name even though at the present time it connects to nothing.  I am exploring WIX for my next website.  Then again, I might just take a swing at designing my next website myself.  It wouldn't be the first time.

Okay, so Xanadu's gone.  Fine Art America is gone.  Facebook is gone.  What's left?

Well there is this blog for one, (and the other one called page 2.)  Flickr is still filled with my images taken over the past few years.  And oh yeh, I am on ViewBug.  Have you tried ViewBug?  There are lots of fun contests and challenges.  You can win prizes with the contests; and the challenges allow you to see how others like your work.  You can also choose to sell your work on ViewBug.  I have not tried that yet.  I only have a few of my photos on ViewBug so far due to only uploading those that I think might do well in a contest or challenge.  At this point, I am taking it quite slowly.  It is a paid account for the pro status.

So, there you have it.  Some major steps taken now that summer has ended and autumn is here with all its glorious colors.  While I am still mostly spending time with the hands on type of art right now, my mind is working to make some decisions as to the next steps to take with my photography.  One of the things I am considering is how to use my domain name since it only applies to photography.  For example, should I keep the straight photography separate from the digital fusion photography?  Should I place all the digital fusion photography into a fine art category?  Xanadu got my mind on high pricing and I am just not that style photographer at this point.  So I have a lot to think about and plan, and though I am not in any great rush, with only three more months left to the year I am thinking maybe to have something in place by the end of this year.

Here are a few things I did work on over the summer.  From just one photo I took, I made these.  I did take more photos than this one, but this one was a pretty one for creating digital fusion.

Colorful Digital Fusion Photography Tutorial

Hey there!  It's that time again.  I just completed a set of digital fusion photographs that I thought would make a great tutorial.  I recently moved to a new location in the same town but it offers many more photographic opportunities than I have previously had.  So I've been spending time taking some pictures just for more practice than anything else, but came up with some pretty cool shots.  But not all of them came out clearly in focus the way I wanted them.  Oh some parts were focused but not the parts I was aiming for.  Need more practice there.  But there was one very colorful photo I took that wasn't really all that bad, but definitely wasn't good enough to stand alone.  There are little flower and vegetable gardens all around me here and in this one little garden is a planter of a darling little girl sitting on a garden bench holding a basket of hens and chickens.  The hens and chickens did not focus as well as I thought they did.  But other parts of the photo were okay.  But as I said, it is the color combinations that are truly fascinating for this tutorial.

Here is a photo of the full planter.

Below is the photo I am using for today's tutorial.  For your purposes, this time find something with some good color dynamics as well as some different textures, lines, and angles and then take your picture.

*Reminder:  I am using Corel Paint Shop Photo Pro X5.  But you can use Photoshop or other software of your choice.  The settings may not have the same names but this is your chance to explore what your software can do for you.

The first thing I chose to do was to highlight all the lines and angles by using the effects filter in the default grouping called "Artistic Effects" and within the group the effect called "Glowing Edges."  I love the black light poster or black velvet style poster that results.

I'm going to work with this at a later time.  For this tutorial, I want to continue using the original colors.  This next photo I used a default effects grouping called "Distortion Effects."  Within the group I chose "Polar Distortion" and got this result.

Hmmmm.  What do you think? 

Normally at this point I will back track and go back to the original for each new effect.  But I liked the oddness of this one so I used it for the following results.  These were all done using various settings in the downloadable filter effect group called Medhi.  This is one of my favorite filter groups and it is usable for both Corel and Photoshop.  It is also free.  Within this group is a favorite "Kaleidoscope" effects with lots of variable settings.  (The great thing about the colors and textures of this photo is that I have only just started creating new designs and there are so many more possibilities I can work with.  This is why this time you are to make a photo of something colorful and textured.)

The following are just kaleidoscope variations from the Mehdi group that I chose to use.  At this point, you can do what I have done, or experiment on your own with whatever special filter effects your software provides, download other filters if possible, and go from there.  These are what I did so far.

If I wanted to, I could probably go back to the Kaleidoscope and use it on the original photo as well and come up with all new versions.  I am not sure yet if I will do that or not.  I am always excited when I somehow manage to make hearts as in the bottom one here.

Another Fun Abstract Tutorial

As I was just looking back over some of my posts and especially at previous tutorials, I thought it would be fun to do another one.  So, here goes.  And as usual, I'm using a really bad photo to start with.  But to its credit, the photo has some really good colors and lines and textures to work with.  This photo here is one of the absolute worst I have ever taken.  Why it turned out so bad is a whole other post.  It's just bad and it isn't the only one I took that day that turned out bad.

Remember, to get the full effect of this tutorial, double click on the photo to get full screen.

So, just to take some time out to experiment with some software settings I had not used before, I decided to see what might happen if I tried a few.  This was using curves intense.  This was the only one I liked.  And really, it's BAD.  There's nothing redeemable about it.  Or is there?

Well, there is color.  There are lines, angles, textures.  Hmmm...

        I decided to try out my favorite kaleidoscope filter from the Mehdi group.  This setting was 2 petals, 0 offset, 0 rotate, and 1 zoom out.  Well, now that's interesting.  The more I look at it, the more I like it.  Yet, I'd like a little less white.

 This time I wanted to see what would happen if I worked on the colors only.  So I tried Luminares Color Glow.  Wow, I love this shade of blue, but this is a little overboard.  But I'm not giving up.  I'm seeing more and more potential here.  So I keep going.

 Back to the ole favorite kaleidoscope.  This time it was 2 petals, 46 offset, 0 rotate, and 1 zoom out.  That's much better.  But I'm not finished yet.

 Okay I don't really like all that blue even though it is interesting.  So I back up a couple steps back to the kaleidoscope directly above the first blue picture.  Yep, that's the one, with the all white pickets going across the middle and the colors top and bottom.  This time instead of more kaleidoscopes, I chose to use Toadies filter group and the filter called Picasso's Other World. You can certainly see the cubism there.   I am really liking this one.  But let's see what else can be done.

At this point, still avoiding more kaleidoscopes because there are just times when I can almost feel that I need something totally different, I have chosen the same filter group that has the kaleidoscope filter.  But this time I have chosen a filter called Melt within the Mehdi filter group.

   

 

Wanting to give it something...not quite sure what yet...but I am trying the filter group called Simple and the effect called Blintz.  

 Well that has possibilities, but I've still not gotten what I am looking for, and that is something that just pops out at me and says, "YES! This is it!"

So now I am going to try one more very easy filter that comes with the Paint Shop program and that is found under the title of Distortion Effects.  The effect is called Displacement Map.

And that's my YES! 

I could keep going, but I am going to stop there.  I am happily satisfied with this result and feel that I have gotten not one but two pretty awesome pieces of art out of this.  The first one is the one where I used the Picasso's Other World and got such an interesting cubism piece.  And then this last one above here.  

So did you follow along and do some experimenting of your own?  I hope so.  That's what makes this fun.

Flickr Photo Albums

Alright, today I thought I might share a few of my favorite Flickr albums that I have created from the digital fusion photography I have been doing.  I try to keep organized on Flickr the best I can so that if you prefer to look through albums instead of the entire photostream, you can do so.

This first album is my most recent.  I'm still working on it, but I have quite a lot done so far.  Remember to keep checking back to see what else I've done with it.  Believe it or not, last week I took some macro shots of some thick onion skins after I was finished cooking.  Once I did that, it was time to see what would happen once I started editing them into other pieces of art.  This folder is the result so far.  Obviously it is called Onion Skins.

This next album was created after Christmas 2014 when I had done a lot of light painting of my Christmas Tree lights.  Then I did something I had never done before with light painting.  I turned those shots into digital fusion photographs just to see what would happen if I went crazy with the light painting photos.  This folder is called Light Painting Gone Mad.  I hope you enjoy it.

By far one of my biggest album, with over 600 pieces, is called The Kaleidoscope Collection.  You can find it here.  Almost everything I have worked on usually has at least one kaleidoscope piece made from an original photo.  I also have on both of my photography blogs, some that I have done from scratch.  However, all of these, I believe, are from original photographs I have taken.

In all the albums in my photostream you will find mixtures of other albums.  For example, in my Macro album, you will also find kaleidoscopes and other abstracts because I have cross-referenced everything.  It might not have been the best idea and at some point I may undertake to change how I organized the artwork.

Well, there you are.  I hope you enjoy browsing through these albums.  If you wish to see more albums, just click on the photostream link in the above paragraph and go from there.  Throughout all you will see the originals, and then if I have made any digital fusion works, you will see those as well.  In many cases you can check the file name to see which original is the base for the artwork. 

Photographic Study of Queen Anne's Lace in One Photo Revision

This past week or two, up through tonight, I've been working on trying to improve several of the photographs I took while on vacation.  Honestly, I've only ever been on two vacations in my entire life and both were treats given to me by my daughter.  So it is important to me that the photos I shot while there are the best they can be.  I'm also working on other photos I'm trying to improve.  This post will be about just one photo and what has been done to make it better.  It's a photo of Queen Anne's Lace--a weed--but one that is pretty enough to deserve a royal name.

Before I get to the photos, I thought it would be interesting to find out some facts about this wild plant.  For instance, did you know that it is also called a wild carrot and the roots are edible if pulled early enough before they get woody.  Great care must be taken, however, because the plant is very close in appearance to several poisonous species such as Hemlock. 

"Queen Anne’s lace earned its common name from a legend that tells of Queen Anne of England (1665-1714) pricking her finger and a drop of blood landed on white lace she was sewing. Belonging to the carrot family, Queen Anne’s lace is a biennial that is also known as wild carrot. Early Europeans cultivated Queen Anne’s lace, and the Romans ate it as a vegetable. American colonists boiled the taproots, sometimes in wine as a treat. Interestingly, Queen Anne’s lace is high in sugar (second only to the beet among root vegetables) and sometimes it was used among the Irish, Hindus and Jews to sweeten puddings and other foods." See more here.
Here is another website about this interesting plant.. 





Okay, let's get to the photos.

 This is the original photo pretty much right out of the camera.  I may have done some sharp focus editing on the day I photographed this.  It was about a year ago, taken in a store front alley near an interesting spot many photographers use for both wedding and family group portraits.  While my daughter-in-law was photographing some of her children there, I was looking around for other things to photograph.  I noticed among the tossed out pop and beer cans, empty snack packages and other bits of trash, these flowering weeds attempting to give the alley some beauty.  I wanted to see if I could take some of that away with me.  Because it was a hot day and I don't walk as well as I would like to, I was actually sitting in the car with the door open when I took this shot.  Since this was last year, I was also still pretty new to the camera I was using, and still use.  It is a Canon Rebel EOS T3i with the kit 18-55mm lens.  The photo was shot at 1/125 sec, f7.1, and ISO 100.

I asked for some assistance at an online photography forum I am a member of called The Shark Tank on Light Stalking. While I originally felt that it was focused okay, if maybe a little soft, it was suggested that the main subject was flat and needed to be sharper.  I was initially concerned that if I had sharpened it already when I first took the photo, sharpening it more would create too much digital noise.  So I resisted that suggestion but chose, instead to try to enhance the overall shot by using a "warm" filter in editing.  Here is that result.

Well, while it did make the background much better, it is still showing as being too soft or out of focus.  So I gave in and decided to try to sharpen it again.  Here is that result.

I did have to admit that this made the photo better.  The sharpened photo looked more in focus, although there are a few petals near the center that are still out of focus.  But there was still that initial issue about the photo looking flat and the eyes being drawn away from the main flower to those in the background.  So this time I decided to try black and white.  I tried two different styles of black and white.  The first one below is what is considered normal black and white.

Now I have been looking at this photo long enough and working with it long enough that my eye is naturally drawn to the background just to check how it looks overall.  So I am not able to adequately judge whether I have accomplished the goal of keeping the eyes on the main flower.  Below is what is called "heavy" black and white.

I had to remove digital noise from both of the black and white photos as it was very noticeable in both of those.  Also I notice in the bottom one, the heavy black and white, that there is more dark tones to the flower itself than in the normal black and white.  I think the heavy shadowing in the bottom one brings more attention to the background instead of moving the attention to the main flower, while the normal black and white one keeps the focus on the main flower where it belongs. What do you think?  Please feel free to comment about your suggestions and tips.

While I am at it, below are some graphic designs, or digital fusion photographic art that I did with this particular photo of Queen Anne's Lace.  I hope you like them.  For more of the things I am working on, don't forget to follow me on Flickr and on Twitter @capirani.

Queen Anne’s lace earned its common name from a legend that tells of Queen Anne of England (1665-1714) pricking her finger and a drop of blood landed on white lace she was sewing. Belonging to the carrot family, Queen Anne’s lace is a biennial that is also known as wild carrot. Early Europeans cultivated Queen Anne’s lace, and the Romans ate it as a vegetable. American colonists boiled the taproots, sometimes in wine as a treat. Interestingly, Queen Anne’s lace is high in sugar (second only to the beet among root vegetables) and sometimes it was used among the Irish, Hindus and Jews to sweeten puddings and other foods. - See more at: http://www.ediblewildfood.com/queen-annes-lace.aspx#sthash.QuBqme2I.dpuf

Queen Anne’s lace earned its common name from a legend that tells of Queen Anne of England (1665-1714) pricking her finger and a drop of blood landed on white lace she was sewing. Belonging to the carrot family, Queen Anne’s lace is a biennial that is also known as wild carrot. Early Europeans cultivated Queen Anne’s lace, and the Romans ate it as a vegetable. American colonists boiled the taproots, sometimes in wine as a treat. Interestingly, Queen Anne’s lace is high in sugar (second only to the beet among root vegetables) and sometimes it was used among the Irish, Hindus and Jews to sweeten puddings and other foods. - See more at: http://www.ediblewildfood.com/queen-annes-lace.aspx#sthash.QuBqme2I.dpuf

Queen Anne’s lace earned its common name from a legend that tells of Queen Anne of England (1665-1714) pricking her finger and a drop of blood landed on white lace she was sewing. Belonging to the carrot family, Queen Anne’s lace is a biennial that is also known as wild carrot. Early Europeans cultivated Queen Anne’s lace, and the Romans ate it as a vegetable. American colonists boiled the taproots, sometimes in wine as a treat. Interestingly, Queen Anne’s lace is high in sugar (second only to the beet among root vegetables) and sometimes it was used among the Irish, Hindus and Jews to sweeten puddings and other foods. - See more at: http://www.ediblewildfood.com/queen-annes-lace.aspx#sthash.QuBqme2I.dpuf

Queen Anne’s lace earned its common name from a legend that tells of Queen Anne of England (1665-1714) pricking her finger and a drop of blood landed on white lace she was sewing. Belonging to the carrot family, Queen Anne’s lace is a biennial that is also known as wild carrot. Early Europeans cultivated Queen Anne’s lace, and the Romans ate it as a vegetable. American colonists boiled the taproots, sometimes in wine as a treat. Interestingly, Queen Anne’s lace is high in sugar (second only to the beet among root vegetables) and sometimes it was used among the Irish, Hindus and Jews to sweeten puddings and other foods. - See more at: http://www.ediblewildfood.com/queen-annes-lace.aspx#sthash.QuBqme2I.dpuf