Colorful Digital Fusion Photography Tutorial

Hey there!  It's that time again.  I just completed a set of digital fusion photographs that I thought would make a great tutorial.  I recently moved to a new location in the same town but it offers many more photographic opportunities than I have previously had.  So I've been spending time taking some pictures just for more practice than anything else, but came up with some pretty cool shots.  But not all of them came out clearly in focus the way I wanted them.  Oh some parts were focused but not the parts I was aiming for.  Need more practice there.  But there was one very colorful photo I took that wasn't really all that bad, but definitely wasn't good enough to stand alone.  There are little flower and vegetable gardens all around me here and in this one little garden is a planter of a darling little girl sitting on a garden bench holding a basket of hens and chickens.  The hens and chickens did not focus as well as I thought they did.  But other parts of the photo were okay.  But as I said, it is the color combinations that are truly fascinating for this tutorial.

Here is a photo of the full planter.

Below is the photo I am using for today's tutorial.  For your purposes, this time find something with some good color dynamics as well as some different textures, lines, and angles and then take your picture.

*Reminder:  I am using Corel Paint Shop Photo Pro X5.  But you can use Photoshop or other software of your choice.  The settings may not have the same names but this is your chance to explore what your software can do for you.

The first thing I chose to do was to highlight all the lines and angles by using the effects filter in the default grouping called "Artistic Effects" and within the group the effect called "Glowing Edges."  I love the black light poster or black velvet style poster that results.

I'm going to work with this at a later time.  For this tutorial, I want to continue using the original colors.  This next photo I used a default effects grouping called "Distortion Effects."  Within the group I chose "Polar Distortion" and got this result.

Hmmmm.  What do you think? 

Normally at this point I will back track and go back to the original for each new effect.  But I liked the oddness of this one so I used it for the following results.  These were all done using various settings in the downloadable filter effect group called Medhi.  This is one of my favorite filter groups and it is usable for both Corel and Photoshop.  It is also free.  Within this group is a favorite "Kaleidoscope" effects with lots of variable settings.  (The great thing about the colors and textures of this photo is that I have only just started creating new designs and there are so many more possibilities I can work with.  This is why this time you are to make a photo of something colorful and textured.)

The following are just kaleidoscope variations from the Mehdi group that I chose to use.  At this point, you can do what I have done, or experiment on your own with whatever special filter effects your software provides, download other filters if possible, and go from there.  These are what I did so far.

If I wanted to, I could probably go back to the Kaleidoscope and use it on the original photo as well and come up with all new versions.  I am not sure yet if I will do that or not.  I am always excited when I somehow manage to make hearts as in the bottom one here.

Flickr Photo Albums

Alright, today I thought I might share a few of my favorite Flickr albums that I have created from the digital fusion photography I have been doing.  I try to keep organized on Flickr the best I can so that if you prefer to look through albums instead of the entire photostream, you can do so.

This first album is my most recent.  I'm still working on it, but I have quite a lot done so far.  Remember to keep checking back to see what else I've done with it.  Believe it or not, last week I took some macro shots of some thick onion skins after I was finished cooking.  Once I did that, it was time to see what would happen once I started editing them into other pieces of art.  This folder is the result so far.  Obviously it is called Onion Skins.

This next album was created after Christmas 2014 when I had done a lot of light painting of my Christmas Tree lights.  Then I did something I had never done before with light painting.  I turned those shots into digital fusion photographs just to see what would happen if I went crazy with the light painting photos.  This folder is called Light Painting Gone Mad.  I hope you enjoy it.

By far one of my biggest album, with over 600 pieces, is called The Kaleidoscope Collection.  You can find it here.  Almost everything I have worked on usually has at least one kaleidoscope piece made from an original photo.  I also have on both of my photography blogs, some that I have done from scratch.  However, all of these, I believe, are from original photographs I have taken.

In all the albums in my photostream you will find mixtures of other albums.  For example, in my Macro album, you will also find kaleidoscopes and other abstracts because I have cross-referenced everything.  It might not have been the best idea and at some point I may undertake to change how I organized the artwork.

Well, there you are.  I hope you enjoy browsing through these albums.  If you wish to see more albums, just click on the photostream link in the above paragraph and go from there.  Throughout all you will see the originals, and then if I have made any digital fusion works, you will see those as well.  In many cases you can check the file name to see which original is the base for the artwork. 

Kaleidoscopes, Abstracts, and Understanding It All

Why so many kaleidoscopes?

When I was a young child, I was totally fascinated by the magic of kaleidoscopes.  Knowing how much I use kaleidoscope filter effects in my art, I would have to say that I probably never outgrew my fascination.  When I first got online back in the late 1990s I found different websites that let you play around making your own kaleidoscope designs, but it was only on the screen.  You could not keep your designs.  Once I found that there was a possibility to create my own kaleidoscopes either with photos or from scratch designs on my editor program, I just kept going, and going, and going...

From kaleidoscopes I started branching out into other filter effects, sometimes finding things I really liked and other times not being able to connect to the designs at all.  As I have grown into more and more designs, I have also branched out to find as many more filters as I can to work with.

But I don't understand your artwork!

I've been asked by some who follow me online why I do what I do because they just don't understand my art.  In all honesty, I've never been one who cares if I understand someone's art or not.  If I like what I see, that is all that concerns me.  My only real response to those who do not understand my art is that I just like it.  I especially like using flowers, especially in the kaleidoscopes.  I love seeing how the various styles of petals move around the screen making totally new designs.  Just like when I was a child, I still find the way kaleidoscopes work magical.

If you look closely at my work, you can often see exactly what I was using as the base before I edited it.  Others you might not be able to tell anything about it.  One that has a pretty light blue color also has raindrops in the design because it originally was a photo of a light blue car after it had rained.  That was in my earlier years and it amazed me that I could see the raindrops.  Other photos may have words in them from road signs, or cd covers, or even books.

In high school art classes we were taught to try to figure out what the artist was trying to say in their abstract work.  I never could do that.  Actually I often thought it was a waste of time to try to figure out a meaning in a piece of art from some artist who was not alive anymore to speak out what they really thought.  It was the same in English Literature classes when we were to dissect a story to try to figure out what hidden meanings were tucked away in the otherwise simple story.  What was the purpose for that?  I remember a trip to a museum where people were looking at the huge paintings on the wall and doing this same thing.  What did the artist want to say when he painted it?  In my mind the real question was, why did we think he was trying to say anything at all?  And in Lit classes why did we think the author wanted to say anything more than what was already said?

So, I am now saying that for me, you don't have to try to understand my art.  Either it draws you in and you like it, or your eyes pass over it and on to the next piece.  There are no hidden messages or meanings other than this.  I like it.  I like the way the colors play off of each other.  I like how one picture can turn into many other pictures.  I like how blurry bad photographs can end up being gorgeous abstract art.  Hopefully that will make it easier for you to enjoy my artwork.  But if you are of the kind who has to find some hidden meaning, you will be disappointed, I am sure.  And you will continue to not be able to understand my work.

No Hidden Messages

Although I have not put any hidden messages in my artwork, I would be very happy if through my art, people would somehow see the glory of God shining through because each one of us is His creation.  He made us in His image, and there is none more creative than our Heavenly Creator.  I also would like my art to be an encouragement to others who are disabled and find it difficult to do what other people do.  When you see a landscape of mine, you will know that the efforts involved in my getting that photo took more planning and the assistance of others to not only get me to the location, but maybe even to help with setting things up for me.  My abstract work comes out of my disabilities because of the limitations I have for getting out to do the landscapes and nature photography that I love.  Abstract work keeps me busy in the off weeks and months when getting out is more difficult for me due to the weather.

Being disabled, I live on a very limited income at this present time.  Should the sales of my artwork grow into something I can live on, there should be a lot more opportunity for me to get out to do the landscape and nature photography I want to do. For now I am still learning more and more each day and hope to be able to sell more as time goes on.  In the meantime, if you are interested in purchasing anything I have done, please let me know.  You can leave me a message here and I will contact you.  Or you can go directly to my website, or you can go see my work at Xanadu Gallery.  Once there, you can purchase my work through the gallery.

Abstract Tutorial--Step-by-Step

Tonight I would like to take you through the steps for making some interesting abstract designs, and by using a couple of really, really bad photographs to do it.  To start out, I want you to do something you will not understand at first.  I want you to take a couple photos of your hair, or the hair of someone else who will allow you to do so.  Now you can make this photo sharp and in focus, or only slightly focused.  In the case of this tutorial, it would be cool if you can photograph the hair against a colorful background such as a shirt.  

Okay, now stop laughing.  I'm serious here.  

In all honesty, hair has some really neat lines and colors that you don't notice unless you have taken a macro shot or otherwise close-up shot of it.  What we are going for tonight is the lines mixed with the backgrounds.  Take several shots.  You can always delete them later if you don't like the results.  

Here are the photos I am going to use tonight.

I warned you that the photos I would be using tonight were really bad.  My 12-year-old granddaughter was sitting on the arm of my chair watching TV when I just pulled out the camera and tried to get a good macro shot.  The only thing is, she kept fidgeting so the photos were blurred.  So, let's get started.

Okay, before we move on, let's talk software.  I am using Corel PaintShop Photo Pro X5.  So I may have different filters and effects than you have if you are using some other program.  There are lots of free programs out there as well.  I love this one because it is not so expensive, but does a lot of things.  But use whatever you have handy.  If you don't have any program as yet, just bookmark this page and come back to it once you have a program downloaded.  

I LOVE kaleidoscopes.  I loved them as a child and never really outgrew the appeal.  So I almost always start out creating a kaleidoscope design first.  I have found that often, if the photo will not do well with a kaleidoscope, it probably won't do well with other filters or effects either.  Unless there is a lot of color.  Then all kinds of things can happen with your software.

So, I set the effect for a kaleidoscope.  All of the settings were set to zero except for the number of petals, and the setting for "reflect" was checked.  This was the first result.

 
 Check it out on full screen by clicking on the picture.  See all those tiny lines?  Those are the hairs!!  Now you could stop here, but I didn't.  I just had a feeling I could come up with something more.  

For this next result, I kept the kaleidoscope and went to my effects filters and chose one from the group called "Fun House."  The one I chose is called "Sierpenski's Mirror."  Now within this filter there are various setting possibilities.  No two photos will ever turn out exactly the same unless you write down the settings you chose and keep very detailed notes.  I don't do that, so each of my designs remain totally unique.  It's up to you whether or not you want to do that for yourself.  I didn't like the result so much but I knew I could do something with it, so I added another filter on top.  This filter came from the "Simple" group and I chose the "Diamonds" filter.  But you can use whatever you like, and stop or continue on as long as you like.  You will eventually find that going on further does not make the design much better so you end up learning that there is a time to stop.

Here is the result.

 Now this almost looks like a piece of paper that has been folded many times.  Again, click the picture for a full screen look.  I chose this place to stop, for now.  I might end up going back at another place in time to change it more, but I doubt it.  You will understand more when I show you what happened with the second bad photo.

Now if you go back up and take a look at the two bad photos, you will see that the bulk of the hair is to the left on the top photo and to the right on the bottom photo.  The loose hairs spread out over the rest of the photo.  Also the stripe in the shirt has switched sides somewhat.  Will this make much of a difference?  Let's find out.

Once again I started out with the kaleidoscope effect using the same exact settings that I used the first time.  An interesting thing you will learn as you use your software often enough, is what kinds of quirks it has.  For instance, I've learned that this kaleidoscope setting pretty much takes the color that is toward the lower right/bottom of the photo and makes that the outside color of the photo.  I learned this when I found that I could create kaleidoscopes from scratch using the paint part of the program and use all kinds of colors, yet only a couple colors would show up in the results.  So learning where to place the colors you want to show in your results can be important.  Again, it's the strands of hair that form the lines of the design.

This time I decided to try a different effect, so while keeping the kaleidoscope, I went to the effect called "Artistic Effects" and chose one called "Glowing Edges."  While doing this tonight I think I learned something else about my software.  Normally this selection makes one of those black glowing pictures that you will see on red velvet type things.  But this time it turned blue!!  The only reason I can tell is that I had blue up in the paint color palette.  I do know that whatever color I have up as last used in the color palette can effect the colors of the filter chosen.  I had not seen this happen before, though.  It's always fun to find out new little tricks to play around with.  Having this come up in my favorite shades of blue wasn't bad either.  

This was one of those "ooooh!" moments I sometimes have when I am in the zone creating these abstracts.

After this I chose an effect from the group called "Distortion Effects" and chose the distortion called "Polar Coordinates."  Within that are two options plus other settings.  I almost always use the "Polar to Rectangular" rather than the "Rectangular to Polar."  Again, it is up to you what you choose.  The best way is to play around with the program to see what you like.  The more you like a setting, the more you will use it.  Something I like about this PaintShop Photo Pro program is that they have a setting where you can choose random settings with which you will never know what you are going to get until it happens.  That can be fun if you are looking for something different.  I suggest that if you do this, you keep notes of those settings you really like so you can find them again.

Okay, here is the polar coordinates result.

For awhile I was doing these with almost every design I played around with.  You can see more of these on my Flickr photostream.
But I did not want to stop with this one.  So I continued on thinking that maybe I might even be creating a wall grouping with these beautiful blues.   Next I again chose the "Simple" filter and this time I chose one called "Zoom Out and Flip."  (By the way, you can search the net for free downloadable filters for many of the programs available today.  That is how I got most of mine, although some come with the program.)

Here's the result of Zoom Out and Flip...

Once again I was pleasantly surprised.  Normally, this setting does some crazy flip-flopping of the photo.  This time it didn't and I think this was actually better than what I was expecting.

Finally, I went back to my favorite Kaleidoscope effect.  I guess I was thinking of bookends???  Who knows?  When I get into this, sometimes I get ideas that may or may not make sense.  But here is the final abstract I came up with.  

 There you go.  This is how I make most of my graphics.  There really are times when I don't use the kaleidoscope effect photo even though I almost always start out with them.  There are times when I use all sorts of other effects and end with the kaleidoscope.  Sometimes I never use the kaleidoscope.  But if you followed along here, and actually created your own abstract of your hair or someone else's hair, I am sure you came up with something spectacular.  If you enjoyed this tutorial, keep playing around with your software program and see what kinds of things you end up with.  

If you enjoyed this tutorial, please let me know.  Also, please share it with your social media groups.  I may add more tutorials if this one is popular enough.  Thanks for spending your time with me.  
 
 

Creating the Abstract

Have you ever thought about what you can do with photos that don't turn out just the way you wanted them to?  What you will find in this post is how to take steps to make your blurry or other shots you don't really like to make them into something really cool.  Once I found out how to do this, I stopped deleting bad photos until I figured out if I can create something else with them.  This is how Capirani Photography gets the abstract look.  Once you have done this a few times and get the hang of it, you can use your photos as backgrounds for all sorts of things like Twitter, your own website, scrapbook pages, and more.  

The first thing I do is to take some pictures.  They can be of anything, really, but the more colors you include in the pictures, the better.  I've even used pictures of myself, my hair, and other strange things to get the results you will find in the different tabs at the top of this blog.  I've even taken bad pictures on purpose just because there were interesting color combinations available.  

So, for this example, I took some macro shots of a green winter scarf I have along with a bit of brown specialty yarn of the same type the scarf was made of.  The appeal to use these were that the colors went together very well, and the interesting stringy look, along with the sparkles in the yarn.  Here are just a few of the photos of the yarn to start.

 This one above doesn't offer a whole lot of color but the strands of yarn make the possibility of coming out with an interesting abstract appealing.  The photos below are various shots I took of the two colors together.  Now comes deciding which photo I want to use. 

First we will look at what happens when we play around with the all brown yarn photo.  

 One of my favorite things to start out with is to make a kaleidoscope.  I use Corel Paint Shop Photo Plus X5 to create my art.  This is one of the results when I started out with a kaleidoscope.  There are multiple settings you can use with this program no matter which effect you choose.

 I also like the polar distortion which you see here below.  From there I may try other filters to see what happens.

 Of course I had to try another kaleidoscope.  What beautiful results came out of a simple photograph of yarn! 

The last photo above was what I ended up with after taking the polar distortion shot through some more filters. Let's try something totally different.  Here I took a photo of a small snow globe from St. Louis.  

Here I simply flipped the same photo over so that the elements were on opposite sides.  Notice the differences?  One that really stood out to me was the very slight bit of green paint on the corner of the photo from the table the snow globe was sitting on. 

 Some other snow globe shots where I photographed only the bubbles at the top of the globe turned out pretty nice, especially after I doctored the colors a bit. 

 

  It's fun to play around with the program to see what happens.  Sometimes I don't get anything really spectacular, but often I get something special, such as I did with these.  Be sure to click the link above to find more of my latest photos at Flickr.  And don't forget to check out my art at Xanadu Gallery.

Capirani Photography is Blooming!

You may be noticing some changes going on with this blog.  Well that's because I'm expanding the site and turning it into more than just a hobby where I play around with the camera.  I've always wanted to try to see if I have what it takes to become a professional photographer/artist.  My art uses cameras and computer programs.  Some of it may be traditional but a lot that you see here will be off the beaten path. 

You will find here not only the usual type of landscape and nature photos that I love so much, but also various forms of graphic art created with the photos that just did not make the cut.  Instead of just deleting them, I decided to play around with the editing programs I have to see what I can create.  By doing so, I think you will find here some very interesting artwork.  The uses for this artwork--well, that is left up to the viewer and hopefully, eventually, the client who buys what I create.  Some of it may work well for backgrounds for family websites and blogs.  Others might be perfect for scrapbook pages.  You decide.  

While you look over the new sections of this website, please excuse the inconvenience of the remodeling.  New things are arriving and old things are leaving the site.  Hopefully once I have this set up the way I want it, the hobbyist will have become the professional.

More New Graphics With PSPhotoProX3

This past weekend I worked on my PSPhotoProX3 to see what could be done with reject photos.  You know the kind, too blurred to know what is in them, or just too blurred to be good.  Then when I found out how cool those photos turned out with the editing, I decided to try some that were decent enough photos but that weren't usable for anything but memories.

Photos that are so blurry that you can't tell what is in them make very interesting graphics and you can use different effects on those than you can on photos that have clear objects in them.  All in all, learning how to work with this editor is fun and producing some pretty cool results.